"Scattered throughout the gallery space, and selectively obscuring the video works, are a collection of slight, mundane objects – empty water bottles, utilitarian folding tables, bits of Styrofoam. The artist opens the show with “Bag’s Circle,” in which a painted bag, drifting in and out of visibility, rotates along the gallery walls, while vibrant paintings and tropical trees act as varying locators. “Bag’s Circle” is at once expansive and compressed, splendid and uncanny. As the viewer moves through Baga’s installations, boundaries between space, viewer, and artwork dissolve in a way that is at once disconcerting and an opportunity for new possibilities." - Greene Naftali Gallery, "Trisha Baga. The Biggest Circle"

Sitography: GREENE NAFTALI GALLERY, "Trisha Baga. The Biggest Circle", www.greenenaftaligallery.com, 2012.
www.greenenaftaligallery.com/exhibitions/trisha-baga

JOHNSON, Ken, "Vying for Fluency in Many Languages", www.nytimes.com, 27/12/12
www.nytimes.com/2012/12/28/arts/design/trisha-baga-at-the-whitney-greene-naftali-and-moma-ps1.html