Gadget of The Polish Pavilion at the 55th International Art Exhibition — la Biennale di Venezia Venice 1 June–24 November 2013 Polish Pavilion Commissioner: Hanna Wróblewska Exhibition Curators: Daniel Muzyczuk and Agnieszka Pindera Assistant Commissioner: Joanna Waśko "Everything Was Forever, Until it Was No More" is a sculptural instrument that reproduces, at regular intervals, a music piece written for bronze bells, wide range loudspeakers, and other resonating objects. The composition is based on a contrast between the symbolically rich sound of the bells and the abstract resounding noise. By using a delay effect, Smoleński offers an insight into a world where history has come to a standstill, thereby approaching the radical propositions of contemporary physics with its perception of the passage of time as an illusion." - Konrad Smoleński, "Everything Was Forever, Until it Was No More"

The Polish Pavilion at the 55th International Art Exhibition
— la Biennale di Venezia Venice 1 June–24 November 2013

Sitography: LES PRESSES DU REEL, "Konrad Smoleński. Everything Was Forever, Until It Was No More", www.lespressesdureel.com
www.lespressesdureel.com/EN/ouvrage.php?id=2872&menu=4

SMOLENSKI, Konrad, "Everything Was Forever, Until it Was No More", www.konradsmolenski.com
konradsmolenski.com/index.php/project/2013--everything-/