"The subjective filter of David’s iconography combined fragments of scientific, social, artistic as well as media levels of reality. However, the artist’s interest in those did not lie in the synthethising potential of encyclopaediac romanticism; instead he was attracted by their fragmented visual quality. This seemed to offer David a look under the skin of their facticity as phenomena, supported by a conscious or suspected notion of a visible meaning of hidden structures, their interdependence or analogousness. This approach naturally led to including in individual works or more extensive installations a number of elements that bore the nature of signs, or gained symbolic forms." - Martin Dostál, "Jiří David. Dissolving Signs"

Sitography: DOSTÀL, Martin, "Jiří David. Dissolving Signs", www.fotografmagazine.cz
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